As we search for our next Music Director, the Redlands Symphony is inviting three finalists to conduct the orchestra, meet our community, and explore what the next phase of the Redlands Symphony can be. We invite you to learn about our conducting candidates, participate in this process by seeing them in action at a concert, and giving us your thoughts through audience surveys after each appearance.
With her distinctive voice as maestra, speaker, and poet, critics praise Panamanian-American conductor Kalena Bovell as “one of the brightest stars in classical music.” (Channel 3 News, Connecticut). Propelled by a steadfast commitment to musical excellence and community access, Bovell has rapidly ascended to international prominence. She is the winner of the 2024 Sphinx Medal of Excellence—the highest honor bestowed by the Sphinx Organization—and was named a 2022-2024 Awardee of the Taki Alsop Conducting Fellowship. In a groundbreaking moment, Bovell etched her name in history in 2023 as the first Black woman to conduct an opera in Canada, conducting a world premiere reimagining of Scott Joplin’s Treemonisha.
Bovell’s 2024-2025 season reflects her increasing global demand, making debuts both at home with Opera Philadelphia conducting the music of historic Black composer Joseph Bologne, and abroad to South Africa where she will lead the Johannesburg Philharmonic and KwaZulu-Natal Philharmonic Orchestra. Other debuts across North America this season include Orchestre classique de Montréal, Billings Symphony, the Colorado Springs Philharmonic and the Sarasota Orchestra; Bovell also returns to conduct the Louisville Orchestra and the Victoria Symphony in Canada.
Following her engagement with the Los Angeles Philharmonic’s YOLA National Festival in July 2024, Bovell will go coast-to-coast in the 2024-2025 season to continue her steadfast commitment to the next generation of musicians. On the East Coast, Bovell will lead two exciting engagements: first, she conducts the Baltimore Symphony Orchestra’s first ever presentation of Carnegie Hall’s Link Up program, a side-by-side with young musicians grades 3-5; second, she will lead the 2025 Florida All-State Symphony Orchestra as a clinician. On the West Coast, she joins the San Francisco Conservatory of Music for a residency, while in the Midwest, Bovell will mentor and conduct ensembles at the Oklahoma Summer Arts Institute.
One of orchestral music’s marquee maestras, Bovell has blazed a formidable trail in just the past few years as a leading amplifier and catalyst of Black artistic excellence. After leading Chineke! Orchestra onstage at the BBC Proms, Bovell shined as a featured conductor on Chineke!’s 2022 album—Coleridge-Taylor, a celebration of the eponymous African-British composer. Among the critical praise for the album released on Chineke! Records, The Financial Times penned that Bovell’s musical interpretation “overflows with descriptive imagination.” Reviewing her BBC performance, ArtsDesk stated simply: "Never let her go." In addition, Bovell has twice worked with the Kennedy Center as conductor in their landmark artistic initiative, “Reframing the Narrative”, which celebrates the artistry, leadership, and impact of Black ballet dancers. In 2022, she conducted Kevin Thomas’s Firebird with the Collage Dance Collective, while in 2024, she conducted ballets by Donald Byrd, Kiyon Ross, and Meredith Rainey.
Until 2023, Bovell made her home in Memphis as Assistant Conductor of the Memphis Symphony Orchestra and Conductor of the MSO Youth Orchestra. A longtime guest conductor of the ensemble, she led some of the MSO’s more memorable events, from sharing the stage with Hamilton star Leslie Odom Jr. to conducting former Music Director Mei-Ann Chen’s farewell concerts. Prior to her four year tenure with Memphis, Bovell’s professional debut came as the Chicago Sinfonietta's Assistant Conductor in 2015, followed by cover conducting roles with St. Louis Symphony and Hartford Symphony. However, her 2018-2019 appointment as the Music Director at the Civic Orchestra of New Haven would serve as a first marker of Bovell’s potential. There, she elevated Civic Orchestra's musicality and the diversity of its repertoire, all while increasing the size of its roster. Further, she made her mark on the region through numerous guest conducting appearances, including Hartford Opera Theater, leading two short operas in its annual "New in November" festival.
Much of Bovell’s artistic philosophy stems from her relatively delayed entry to the classical music world. Though Kalena showed promise as a violinist, a lack of musical resources meant her first private lesson would come at 18. Her experience far behind the typical conservatory-trained musician, Kalena found a new home as a conductor, and worked six jobs to fund the many plane tickets, workshops, and conducting lessons required to excel. Hoping to inspire younger musicians, Bovell shares this unique journey to professional conducting as often as possible. Among those who have heard her story are the BBC, the League of American Orchestras, the Sphinx Organization, Tennessee Music Education Association, and the III International Women Conductor's Symposium, among many other radio, webinar, and podcast appearances.
A Los Angeles native, Bovell received a Master of Music and Graduate Professional Diploma in Orchestral Conducting from The Hartt School, where she studied with Edward Cumming. She holds a Bachelor of Music Education from the College of the Performing Arts at Chapman University, which honored her as a Distinguished Alumni in 2021. Outside conducting, Bovell is a published poet and has increasingly interwoven her poetry with her music career. Her original poem, "Tethered Voices," was performed by the University of Michigan Symphony Orchestra and set to music by James Lee III.
Kalena makes her home in Memphis, Tennessee, where she enjoys cooking, writing poetry, weight training, and trying new pizzerias.
Powerfully compelling, Deanna Tham is known for her captivating and tenacious spirit on and off the podium. She is currently the Associate Conductor of the Oregon Symphony, Music Director of the Union Symphony Orchestra, and Interim Music Director of the Portland Chamber Orchestra. She is also a 2024 La Maestra Conducting Competition semi-finalist and La Maestra academian. Tham is also regularly guest conducts with her engagements including the Oregon Symphony, Victoria Symphony Orchestra, Shenandoah Valley Bach Festival, Oregon Bach Festival, Orpheus PDX, Ballet Idaho, Opera Idaho, and 45th Parallel.
Previously, Tham was the Assistant Conductor of the Omaha Symphony, following her tenure as Assistant Conductor of the Jacksonville Symphony and Principal Conductor of the Jacksonville Symphony Youth Orchestras. She has performed at the Proms in Royal Albert Hall, Elbphilharmonie Hamburg, and Seiji Ozawa Hall at the Tanglewood Music Center working with Maestros James Ross, Joseph Young, and Sir Antonio Pappano, as well as renowned artists Isobel Leonard and Joyce DiDonato. Recent highlights include leading the all-women Broadway Sinfonietta in the world- premiere of Spider-Man: Into the Spiderverse live with symphonic score, Jacksonville Symphony's first educational Martin Luther King Jr. tribute concert and the Union Symphony's first city- community Pops on the Plaza collaboration of Latin American pop and classical music.
Tham is passionate about cross-genre collaborations. These projects include full-feature blockbuster movie scores, collaborations with Cirque Musica, broadway artists, pop cover groups like Jeans 'n Classics, independent artists like Silent Film Score connoisseur and composer, Ben Model, Southern Range Brewery, the Louisville Ballet Academy, and the International Culinary Arts and Sciences Institute. She is additionally a staunch advocate of music education from school education engagement and youth orchestral performing opportunities to lifelong learning. Tham has also written original school-curriculum-based programs for numerous symphony orchestras and collaborated with organizations including the Central Academy for Technology and Arts.
Tham is a second-place winner in the Youth Orchestra Conductor division of the American Prize. She has worked with renowned conductors Marin Alsop, James Ross, Victor Yampolsky, and Ken Kiesler. In 2013, Tham's work with the festival was featured on National Public Radio as well as American Public Media. Tham holds a Professional Studies Certificate from the Cleveland Institute of Music in Orchestral Conducting studying with Maestro Carl Topilow. She received her Master of Music in conducting with conducting program honors from Northwestern University studying with Dr. Mallory Thompson. Tham received her Bachelor of Fine Arts degree in horn performance studying with Dennis Abelson, Zachary Smith, Bob Lauver, and Steven Kostyniak at Carnegie Mellon University.
Praised for bringing a “fresh view to classical music” (The Republic), Indian American conductor Roger Kalia is a versatile communicator who brings unique and unmistakable energy to the podium. Recently profiled by Symphony Magazine in recognition of his innovative programming, Kalia has been hailed as “leading with passionate intensity and a clear beat” as well as being “one to watch” (Long Beach Gazette).
Kalia is now in his fifth season as Music Director of the Evansville Philharmonic, his sixth season as Music Director of Symphony New Hampshire, and in his seventh season with Orchestra Santa Monica. He was most recently appointed Artistic Director Designate of the Terre Haute Symphony Orchestra for the 2024-25 season, and he will assume the role of Artistic Director during the 2025-26 season. The recipient of several awards from the Solti Foundation, including an Elizabeth Buccheri Opera Residency with Lyric Opera of Chicago and five Career Assistance Awards, Kalia has been praised for his “extraordinary leadership” (Courier & Press).
The 2024-25 season features Kalia’s debut with the Amarillo Symphony and a return to the Redlands Bowl to conduct the Grand Finals of the prestigious Young Artists Concerto Competition as part of the Redlands Bowl Summer Music Festival. In celebration of the Evansville Philharmonic’s 90th Anniversary Season, his opening concert will feature Schubert’s Rosamunde Overture (performed on the EPO's inaugural concert in 1934), Adam Schoenberg’s Orchardin Fog featuring violinist Anne Akiko Meyers, and Tchaikovsky’s Fourth Symphony. He premieres Orchestra Santa Monica’s new commission by Jason Anthony Gomez titled Potentia, based on poetry by Anne Carmack (Santa Monica’s first-ever Poet Laureate), sung and narrated by acclaimed baritone Jubilant Sykes; and showcases a special in-depth presentation and performance of Beethoven’s Symphony No. 3 with Symphony NH titled “Exploring Eroica.” In recent seasons, Kalia has appeared with the National Symphony Orchestra at the Kennedy Center, Chicago Sinfonietta, Louisiana Philharmonic, Baltimore Chamber Orchestra, Szczecin Philharmonic (Poland), Hollywood Chamber Orchestra, Boise Philharmonic, Spartanburg Philharmonic, Columbus Indiana Philharmonic, and the symphony orchestras of Redlands, Lima, Adrian, Bakersfield, Great Falls, Owensboro, Spokane, and Wheeling.
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